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Chinese aesthetics, worth knowing.

03 / Explore the journal

People & Places.

Follow a place through the people who make it, live in it and give it a story.

01 / 3 stories

Cities, homes & neighborhoods

Enter the lanes, courtyards and shared homes that shape a sense of belonging.

Next: Local food & living traditions

02 / 3 stories

Local food & living traditions

Get to know a place through breakfast, its night markets and the craft people carry forward.

A Beijing street vendor preparing egg-filled pancakes at a breakfast stall
McKay Savage · resized for web · Source · CC BY 2.0

People & Places · Food & place

China, one breakfast at a time.

There is no national plate that can explain how China begins the day. Breakfast becomes more interesting when we stop asking for the typical meal and start following particular streets, climates and routines.

6 minute read

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Stone prayer architecture and courtyard at Qingjing Mosque in Quanzhou.
Windmemories · resized for web · Source · CC BY-SA 4.0

People & Places · Port cities

Quanzhou, the Chinese port that faced the world.

Quanzhou is often introduced as a stop on the “Maritime Silk Road.” The phrase is evocative but incomplete. During the Song and Yuan periods, especially from the tenth to the fourteenth centuries, Quanzhou was not simply a picturesque harbor touched by distant ships. It was an integrated trading city in which production zones, bridges, docks, official institutions, religious communities and ocean routes worked together. Its surviving sites reveal that global China is not a recent invention.

6 minute read

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Ceramic workers shaping and finishing porcelain inside a Jingdezhen workshop.
G41rn8 · Wikimedia Commons · Source · CC BY 2.5

People & Places · Craft cities

Jingdezhen is a city built around porcelain.

Jingdezhen is called China’s “Porcelain Capital,” but the title can make a complicated place sound like a single famous kiln. The city’s real achievement was coordination: raw materials arrived from surrounding landscapes, specialists divided production into many stages, imperial and civilian workshops operated beside merchants and guilds, and finished ceramics traveled through domestic and maritime networks. Porcelain here was not one craft. It was an urban system.

5 minute read

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Several Kaiping diaolou rise from the green fields of Zili Village.
DragonSamYU · Wikimedia Commons · Source · CC BY-SA 4.0

People & Places · Migration architecture

Kaiping Diaolou: architecture made by migration.

Across the flat agricultural landscape of Kaiping in Guangdong, concrete towers rise above rice fields and village roofs. Some carry domes, arcades or classical columns; others resemble compact fortresses punctured by narrow windows. They are called diaolou, multistorey buildings used for defence, residence or communal refuge. Their silhouettes are memorable, but their real subject is movement: people leaving home, earning money abroad, returning with ideas and building security into the landscape. UNESCO inscribed Kaiping Diaolou and Villages on the World Heritage List in 2007. The designation recognizes not an isolated architectural curiosity but a cultural landscape. Towers, houses, lanes, fields, ponds and village relationships belong together. To understand a diaolou only as a photogenic “Chinese castle” is to miss the networks that made it possible.

6 minute read

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Pingyao’s masonry wall and watchtower establish the old city as a legible whole.
Gisling · resized for web · Source · CC BY 3.0

People & Places · Walled cities

Pingyao is a city best understood on foot.

From the top of Pingyao’s wall, the old city appears almost legible: tiled roofs, courtyard compounds, temple axes and commercial streets held inside a clear boundary. At ground level, the order becomes more intimate. A lane narrows. A doorway reveals one courtyard behind another. A former banking hall opens onto a story of money moving across an empire. Pingyao is often marketed as a perfectly preserved “ancient city.” The phrase is useful but dangerous. It can turn a living, repeatedly repaired place into a stage set. The more interesting question is not whether Pingyao has escaped time, but how its urban structure has carried different times together.

5 minute read

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